essays

Lending White Walls

Generously, the Netherlands lent the Rietveld Pavilion to Estonia for the Venice Biennale. But we could not prevent the work of one of our guests being censored. What does real engagement actually look like?

publications

The Practice of

This publication collects first-hand experiences with the Dutch art field, based on the various dilemmas and dogmas that one may encounter in the production and presentation of art. A collectively held ‘I’ offers insight into the stakes of the field, and invites to a reassessment of its hierarchical, closed nature.

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